"We can never see the world other than incompletely: deliberately to see it as incomplete is to create an artistic aspect. Art is the subjective, preferential treatment of certain elements of reality; it selects and resets, distributes light and shade, omits and underlines, softens and emphasises." EGON FRIEDELL (1930's)
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![]() ![]() EXOTIC FLOWER (40x48cm) Oil on canvas with glass beads texture in comb and waddles. ![]() NATIONAL SYMBOL (55x66cm framed) Oil on canvas rooster with bead texture details. Collage background of artists' 1982 Zimbabwe election memorabilia encapsulated in resin. Handmade, custom picture frame by artist. ![]() MATTHEW 9:21 (45x45cm) Bitumen paint and shellac on canvas. In painting these studies of hands, I was looking at how to express the intangible qualities of spirituality. |
LEGEND OF GALSTON GORGE (150x90cm) Oil on canvas. For more on this artwork's inspiration, click through to my News page... ![]()
![]() THE BEST PERFUME IS WITHIN (50x55cm) Oil on canvas on board, with raised text. ![]() ANGEL (45x45cm) Bitumen paint and shellac on canvas. WALKING THROUGH THE DOOR: (80x100cm) Self-portrait in acrylic paint oncanvas, with background collage of Rhodesian and South African memorabilia. Click on the image for self- portrait analysis. |
![]() MAFUSHWA HAIR (50x60cm) Silkie chicken, oil on canvas. ![]() DUMELA (40x48cm) Acrylic on canvas. ![]() MARRIAGE AND LOVE (50x60cm) Oil on canvas, inspired by William Blake's "He loves to sit and hear me sing, then laughing sports and plays with me; Then stretches out my golden wing, And mocks my loss of liberty." ![]() IMPART (45x45cm) Bitumen paint and shellac on canvas. ![]() |
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